This Oscars eve, as hopeful first-time nominees draft
their speeches, Tom Hanks and Emma Thompson mourn their snubs and Ellen
DeGeneres inevitably practices her opening monologue over and over in the
mirror, anticipation surrounding the eventual trophy winners is riding ever
high. Whether or not you place regard upon the Academy’s winning picks, for
many audiences they are an objective measure of the best Hollywood has to offer
in cinema.
In recent years, more often than not, the Academy has overlooked great films (ie. Shame, The Descendants) to favour safer choices (ie. The Artist, Argo, The Hurt Locker) and the divide between critics and mainstream audiences has widened. But this year is unusually special given the strong frontrunners, notably 12 Years a Slave, Gravity and American Hustle, which offer a means of re-establishing Oscar with some prestige.
In recent years, more often than not, the Academy has overlooked great films (ie. Shame, The Descendants) to favour safer choices (ie. The Artist, Argo, The Hurt Locker) and the divide between critics and mainstream audiences has widened. But this year is unusually special given the strong frontrunners, notably 12 Years a Slave, Gravity and American Hustle, which offer a means of re-establishing Oscar with some prestige.
BEST PICTURE
12 Years a Slave
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
The Wolf of Wall Street
Will win: 12
Years a Slave
Should win: Gravity
Better not win: Dallas
Buyer’s Club
It would be most prudent to place my
bets on 12 Years a Slave to take out the main award. Steve McQueen’s
film is ultimately too important and historically significant to approximate
otherwise. Its marketing campaign has reminded voters that a Best Picture win
for the slave-drama would go a long way in recognising the great sin in
American history and bridging any lasting cultural barriers.
Undoubtedly, Gravity is going to
win more statues (Visual Effects is almost a certain), so it’s safe to say this
spot is reserved for 12 Years a Slave.
Unlikely, however possible, American
Hustle could be the dark horse having already deservingly won Best Ensemble
Cast at the SAG Awards.
BEST DIRECTOR
Alfonso Cuarón,
Gravity
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle
Martin Scorsese, The Wolf of Wall
Street
Will win: Alfonso Cuarón, Gravity
Should win: Alfonso Cuarón, Gravity
Better not win: Anyone
but Alfonso Cuarón
There is no doubt in my mind: Cuarón
deserves gold. His genius cannot be understated when it comes to what he
achieved technologically with Gravity. His skilled
camera-movement and use of long shots gives the Mexican-British director a
clear edge in this category. Not to mention he’s already taken home prizes from
the Golden Globes and the BAFTA’s.
I am glad to see McQueen’s name included
after his second feature Shame was shamefully overlooked, but will he
win for 12 Years a Slave? Although a close threat, it seems this
category is a no brainer.
BEST ACTOR
Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall
Street
Chiwetel Ejiofor, 12 Years a Slave
Matthew McConaughey, Dallas Buyers
Club
Will win: Matthew McConaughey,
Dallas Buyers Club
Should win: Tom Hanks, Captain
Phillips
Better not win: All
the actors are deserving in their own right
Did academy voters fall and bump their
head, and then suffer from a terrible case of amnesia? Have they forgotten Tom
Hank’s as Captain Phillips, or are they just heartless monsters? As grave a
mistake this omission is, we should probably count our blessings that it is one
of the very few the Academy made this year.
Matthew McConaughey has gained favour in
recent years having reignited his career with a wealth of commendable
performances (Killer Joe, Mud) and it is probable he will be
rewarded for his turn as Ron Woodroof, a rodeo cowboy diagnosed with HIV in Dallas
Buyers Club.
Chiwetel Ejiofor is a close contender in
the role of Solomon Northup, a free man turned slave, as is Leonardo DiCaprio
as the hedonistic stoke broker Jordan Belfort. Dern was once a favourite but
has quickly fell from the spotlight. And as brilliant as Christian Bale is and
while he sports an extraordinary comb over in American Hustle, there is little
to no chance he will win.
BEST ACTRESS
Amy Adams, American Hustle
Cate
Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl
Streep, August: Osage County
Will win: Cate Blanchett, Blue
Jasmine
Should win: Cate Blanchett, Blue
Jasmine
Better not win: Meryl
Streep, August: Osage County
And the winner is… Cate Blanchett. Cate
Blanchett. Cate Blanchett. Her name has been echoed at every film award
ceremony this season, clean sweeping every Best Actress award known to man. She
is a master at work in Woody Allen’s Blue Jasmine,
discarding all vanity in the role of a new-york socialite turned San-Francisco
pauper, who gradually withdraws from reality down the rabbit hole of
delusion, washing down her Xanaxes with cocktails of vodka.
I’d be willing to bet my house on this
one.
BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Bradley
Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jonah
Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club
Will win: Jared Leto, Dallas
Buyers Club
Should win: Michael Fassbender, 12
Years a Slave
Better not win: Jonah
Hill, The Wolf of Wall Street
On closer inspection, there are no
clear-cut personal favorites to win. While I enjoyed Bradley Cooper’s
performance in American Hustle, it pales in comparison to the bipolar
Pat Solitano in Silver Linings Playbook last year. Similarly,
Michael Fassbender brought to life a stunningly hateful and cruel slave owner
in 12 Years a Slave, but it doesn’t quite surpass his act in Shame.
Nevertheless, he deserves awards recognition on a commercial stage.
It is likely however that Jared
Leto will win for his perfectly decent portrayal of a transgender woman, which
is both sensitive and convincing. But perhaps long shot Barkhad Abdi, who won
the BAFTA for Captain Phillips, may accumulate enough swing-votes to get him
over the line.
BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer
Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
Julia
Roberts, August: Osage County
June Squibb, Nebraska
Will win: Lupita Nyong’o, 12
Years a Slave
Should win: Lupita Nyong’o, 12
Years a Slave and Sally Hawkins, Blue Jasmine
are equally deserving
Better not win: Jennifer
Lawrence, American Hustle
As much as I love Jennifer Lawrence, as
much as you love Jennifer Lawrence, as much as everyone loves Jennifer
Lawrence, there is no one more deserving of this award than Lupita
Nyong’o. Her remarkable debut as tortured slave Patsey in 12 Years a Slave burns
an everlasting mark on your soul and towers over Lawrence’s limited screen presence in American Hustle.
Sally Hawkins is my second favourite,
having greatly enjoyed her performance in Blue Jasmine, which proved to
be just as significant to the success of Woody Allen’s script
as Blanchett’s.





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